It's one of those great spiritual dichotomies, embedded in our psyches since the first human being unexpectedly evolved a soul and the ability to hold an Appalachian Mountain Zither. Is music in worship to be performed, or congegational?
It came up particularly last night at the Music Group meeting. I always try to meet up with the "MP3 replacement Opportunities" on the first Friday of the month. First we deal with all the tedious stuff - admin, spiritual concerns, opportunities to expand and explore the use of music in enhancing worship. And then I like to get on with the important stuff, i.e. the rest of my life, leaving them to make whatever row they like in a spiritual manner.
Anyway, they've got a new "piece". And they know I hate it when music groups have "pieces". I consider it showing off. I always say to them that they have to be careful to ensure they're enabling others to worship, not merely performing. Consider whether playing a piece that is too difficult for others to join in, fits into a worship setting.
And they say to me, I never tell Elzpeth that when she's doing a liturgical dance - never encourage others to join in with the dancing. To which I generally point out that Elzpeth is a large-boned young woman with poor co-ordination skills. I do feel that the best way to use her dancing skills in a worship setting is to keep the other Beaker Folk behind the safety barriers. Or, ideally, in another Moot House.
Anyway, this new "piece" is another experimental work. All three musicians wear identical Guy Fawkes masks during "Threeness and Ivory". It's a work that consists of Izmir hitting a lump of corrugated iron with a frozen chicken, while Godfreya shouts the Athanasian Creed in Serbo-Croat. They say the bashing noises represent the woes laid up for whoever won't believe the words of gentle Athanasius, while the "bridge", where the three performers swap instruments while running in circles, is meant to represent perestroika. I say don't they mean perichoresis? And they say they know what they mean.
You see, for me that's probably a bit tricky for the congregation to join in with. Most of them have fairly poor Serbo-Croat to start with, and it's not the easiest tune to pick up. And of course it's forty-five minutes long. But Godfreya says they're supposed to worship by listening and watching. That I have retained an overly activist view of worship thanks to my Extreemly Primitive Methodist upbringing. That the congregation can know God's presence through the contrasting experiences of the shouting, the banging, and the flying shards of chicken.
And maybe she's got a point. I did suggest that they could maybe do with a couple more weeks of rehearsal, but Izmir says they're running short of frozen chickens.
Orik, the guitarist, was still trying to find E minor when I left. You know, I'm not a vegetarian - and I know that in this fallen world there will always be pain. But I can't stand to see music suffering like that.