I've been working my way through books, radio series and TV series. And then I've had a bit of a sit down and think. And then I had cheese on toast for supper and had some amazing and disturbing dreams last night. And I''ve seen the light. We've all missed the point in reading Douglas Adams. In thinking that The Hitch-hiker's Guide to the Galaxy is an infinitely materialistic, anti-religion, evolutionary text that extols nihilism - we've not noticed that it is in fact a deeply Christian work.
In the forthcoming analysis, I explicitly exclude the 3rd through 5th books of the trilogy, as the creativity clearly dribbles away at this point. And of course the 6th book, which is strictly extra-canonical in my opinion. I see them as the equivalent of the last chapter of John's Gospel - a bit added on after the main action has been completed. I also make reference to the TV and radio series and novels - regarding these as canonical, even where they are contradictory, just like a proper fundamentalist. I should say that as well as cheese on toast, this line of thought was was also inspired by my hearing this link of the Church Mouse on @twurchofEngland website. In which His Mousiness sounds remarkably like the pan-dimensional, hyper-intelligent being, Benjy Mouse.
So. In the first place, take Arthur Dent. Arthur, as well as being Everyman and the Pilgrim, is Noah. When the world is threatened with destruction - in this case due to humanity's laziness in not going to the nearest planning office - Arthur is saved and carried off, like Noah or indeed Gilgamesh, on a great journey. The Vogons are symbols of primeval chaos - they are the Flood, and are also representative of those great enemies of the Jews and eternal enemies of God's People - in other words, the Vogons are the Babylonians - destroying the homeland, inflicting their awful poetry on people, and yet paradoxically providing a haven for the remnant.
Throughout the story, the part of the Tempter is provided by Zaphod. Superficially attractive, yet interested in the end only in his own best interests, Zaphod constantly leads Arthur and his friends into temptation. To draw analogy with another belief system, Zaphod is Loki. And yet, through the intervention of his guardian angel, Ford, and with his Bible - the Guide itself - Arthur perseveres to the end. Meanwhile, Adams satirizes the failures of psychology to deal with our human condition - "Zaphod's just zis guy, you know?"
And the false prophets abound - people that promise to give us the answers and yet fail every time. The philosophers who are in it only for the money, the computer geeks that think they will get all their answers from silicon. Deep Thought himself - the representative of science and technology - who, after pondering for seven and a half million years can only come up with a meaningless answer.
Realising that I could not be the only person to have noticed this in a world of six billion bloggers, I found this blog which identified a similar theme. And yet I feel that the author has missed the point. In his view (and to be fair he's only seen the movie) Ford Prefect is somehow a Christ-figure. But Ford never sacrifices anything. Likewise it might be tempting to see the Great Prophet Zarquon as the Christ-figure in the movie - infinitely delayed and ultimately disappointing. But that's what Adams thinks you're going to think he thinks. There is only one Christ-figure in the Hitch-hiker's guide. He is the one who sacrifices himself in order that the others may live. He is on this world, deliberately given to give help to others. He has a Genuine People Personality. He is that Android of sorrows, Marvin. He is the one who has to "lay down my life selflessly for you? Make the ultimate sacrifice? Consign my brain, which is the size of a planet, to death in a blazing sun, so that you can all pursue your futile little lives?" However I will stop drawing the analogy here, as it's becoming needlessly messianic - and indeed perhaps a little docetic.
After being teleported out of a rock group's stunt ship moments before crashing to his death in a blazing sun, Arthur ends up on yet another Ark - this time a B-Ark. Through this Ark he comes safely to land in his new Eden. And yet, like Noah's landing, although all is new and pristine, the Ark has brought the seeds of its own new travails with it. Arthur himself - and a group of middle managers and telephone sanitizers - have wrecked the algorithm - the one that would produce the Ultimate Question to the Answer 42. In the future lay wars and rumours of wars, county council environmental officers, and a Hyperspace Bypass. And yet beyond that lays the promise of the Restaurant at the End of the Universe, the feast at the end of time. Which holds safe all those who have saved up their worldly wealth (or, at least, one small part of it at compound interest). Here the Blessed sit, watching the ultimate hopeless end of those who seek their salvation in this material cosmos.
I tell you, it gives you hope for the future of all life-kind.
Showing posts with label Spirtuality. Show all posts
Showing posts with label Spirtuality. Show all posts
Saturday, 13 November 2010
Monday, 1 February 2010
Depth and Shallows in Worship
Announced by
Burton Dasset
Over at Rev Helen's blog, and at Eternal Echoes, a debate is going on about what we might describe as "good" worship" in its different ways - considering depth and spontanaeity and liturgy and structure.
I always find that worship is safest on your own. If two or three are gathered together in Husborne Crawley, you end up with a bunch of waxed gibbons running around the place, or a tea light exploding or the sound and smell of the sin-shredder burning out as someone shoves a pound of Play-doh into it or the choir floating gently over Aspley Guise. And then the Archdruid gets busy with her Slazenger V400 and the sound of weeping is heard in Husborne Crawley.
And I guess that comes down to an endless desire for novel experience. If you seek to come before the Divine in worship, you may well find what you're looking for. But if you are constantly looking for a new way of playing the bodhran, or the spiritual effect of the G#m chord, or radical and exciting ways of burning incense, then it all becomes a "what's next" kind of worship.
So instead of looking for the heart of God you're always looking over your shoulder wondering when someone's going to release the balloons, or the flock of doves, or the sheep, or the Beaker Bread's going to be delivered to your seat on the model railway or whatever it may be.
Personally I just find digging holes spiritually fulfilling. I like digging holes and filling them in again.
Shame the earth's frozen solid.
I always find that worship is safest on your own. If two or three are gathered together in Husborne Crawley, you end up with a bunch of waxed gibbons running around the place, or a tea light exploding or the sound and smell of the sin-shredder burning out as someone shoves a pound of Play-doh into it or the choir floating gently over Aspley Guise. And then the Archdruid gets busy with her Slazenger V400 and the sound of weeping is heard in Husborne Crawley.
And I guess that comes down to an endless desire for novel experience. If you seek to come before the Divine in worship, you may well find what you're looking for. But if you are constantly looking for a new way of playing the bodhran, or the spiritual effect of the G#m chord, or radical and exciting ways of burning incense, then it all becomes a "what's next" kind of worship.
So instead of looking for the heart of God you're always looking over your shoulder wondering when someone's going to release the balloons, or the flock of doves, or the sheep, or the Beaker Bread's going to be delivered to your seat on the model railway or whatever it may be.
Personally I just find digging holes spiritually fulfilling. I like digging holes and filling them in again.
Shame the earth's frozen solid.
Tuesday, 17 November 2009
Traditional Cockney Spirituality
Announced by
Archdruid Eileen
I'd like to thank King Chas and Queen Denise of the Pearly Folk of Bethnal Green for their visit to us today.
Especially at these times of remembrance, the Beaker Folk that descend from the Cockney diaspora look back to their ancestral homeland, from which their families fled when their old manors were destroyed in social improvement schemes, having instead to settle in cul-de-sacs of reasonably-priced 4 bedroomed houses in Hemel Hempstead, Northampton and Milton Keynes. They remember the good old days, which of course never existed. And what could be better than that as a basis for Traditional Cockney Spirituality?
Chas and Denise believe that Cockney spirituality is driven by a sense of loss. Loss of a homeland, loss of a way of life, loss of a sense of community. They were kind enough to play some of their traditional Cockey worship songs for us, on the traditional London instruments - an out-of-tune joanna and mouth organ. Such classics as "He brought me to his banqueting table - ave-a-banana"; "Knocked him in the old Norman font;" "There is a Primrose Hill far away" and "My old man said follow the Lord".
By sharing with us their appreciation of the Cockney holy places - the Hackney Marshes, across which the Wild Cockney Sparrers fly, Highgate Cemetery, where North Londoners go to commune with their ancestors, and the curry houses of Brick Lane, Chas and Denise awoke in us a sense of what the Germans would call "Heimweh", the Welsh "Hiraeth" or the Cockneys "Gorblimey".
It was very moving to join in their Cockney liturgy - such lines as "Your father was a wandering costermonger" and "next year in the Holloway Road", simple but profound truths that resound in my head as I write. And then to share in the traditional, homely Cockney fellowship meal - brown ale, whelks, jellied eels, pie mash and liquor - was frankly disgusting.
But the Cockney Folk have left us with an appreciation of their simple, undemonstrative, homely faith. And we thank them for it. And also for their dictionary of Cockney Religious Rhyming Slang, extracts from which I have pleasure in detailing below.
Especially at these times of remembrance, the Beaker Folk that descend from the Cockney diaspora look back to their ancestral homeland, from which their families fled when their old manors were destroyed in social improvement schemes, having instead to settle in cul-de-sacs of reasonably-priced 4 bedroomed houses in Hemel Hempstead, Northampton and Milton Keynes. They remember the good old days, which of course never existed. And what could be better than that as a basis for Traditional Cockney Spirituality?
Chas and Denise believe that Cockney spirituality is driven by a sense of loss. Loss of a homeland, loss of a way of life, loss of a sense of community. They were kind enough to play some of their traditional Cockey worship songs for us, on the traditional London instruments - an out-of-tune joanna and mouth organ. Such classics as "He brought me to his banqueting table - ave-a-banana"; "Knocked him in the old Norman font;" "There is a Primrose Hill far away" and "My old man said follow the Lord".
By sharing with us their appreciation of the Cockney holy places - the Hackney Marshes, across which the Wild Cockney Sparrers fly, Highgate Cemetery, where North Londoners go to commune with their ancestors, and the curry houses of Brick Lane, Chas and Denise awoke in us a sense of what the Germans would call "Heimweh", the Welsh "Hiraeth" or the Cockneys "Gorblimey".
It was very moving to join in their Cockney liturgy - such lines as "Your father was a wandering costermonger" and "next year in the Holloway Road", simple but profound truths that resound in my head as I write. And then to share in the traditional, homely Cockney fellowship meal - brown ale, whelks, jellied eels, pie mash and liquor - was frankly disgusting.
But the Cockney Folk have left us with an appreciation of their simple, undemonstrative, homely faith. And we thank them for it. And also for their dictionary of Cockney Religious Rhyming Slang, extracts from which I have pleasure in detailing below.
Alison Steadman | Matt Redman |
Annoying bleeder | Worship Leader (this one works either way round) |
Awful Catarrh | Acoustic Guitar |
Bagpuss the Saggy Old Cloth Cat | Papal Ordinariate - ("I see that bloke in the lambretta's done a Bagpuss") |
Bish Bash Bosh | Regent's Park Mosque |
Chicken Coop | Music Group |
Hampstead Heath | Nothing worn beneath (of traditionalist parishes where not only the thuribles are swinging) |
Jenkin’s Ear | BAPS Shri Swaminarayan Mandir |
John Rambo | Ambo |
Jonathan Ross | Archdeacon of Charing Cross |
Ladie’s Night | Sarum Rite |
Lambretta (pron Lamb-ber-e’a) | Black biretta |
Lizzie Borden | Church Warden |
Snake Pass | Latin Mass |
Total Wassock | Bloke in a cassock |
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